I know that I’m a bit late in writing this up, but I’ve been busy.
Last weekend saw me making a relatively serious effort in the CW installment of the ARRL DX contest.
Most of my contesting experience has involved my trolling up and down the open bands, working every station that I can copy. I have started making a point at finding frequencies to run in RTTY contests, and in phone contests, in the unlikely event I can find an open frequency, I’ll plop down and see if anyone can hear my low-power CQ. But experimentation has shown that I have a ways to go before I can run CW without embarrassing myself.
Well, I went into this contest with my head full of tips picked up at the YCCC Contest University, and I figured I would try something a little different. Instead of a purely “search and pounce” strategy, I undertook a “click and pounce” approach: I opened N1MM to a DX cluster, turned on the deluge of skimmer spots, and filtered for spots coming from this corner of the world. I’d find the most recently-spotted multiplier on the band I was active on (or most recently spotted station, if no new mults were near the top of the pile), click on it, fine-tune, and work the station. Then I’d consult the list of spots, and repeat.
I will say that it wasn’t as much fun, in some respects, as trolling up and down the bands, where each new signal is a surprise waiting to be discovered (“Germany”, “Germany”, “Italy”, “Poland”, “oooh, Tanzania!”). But the loss of that kind of fun was replaced by two different enjoyable aspects:
First, given my fumbling with CW, it takes me a few repetitions to correctly copy a callsign and contest information. In S&P, I sometimes have to sit and lurk for a little while to figure out who I’m listening to. However, with C&P, I have a clue as to what I should be listening for, significantly reducing the length of time it takes for me to understand what I’m hearing.
Second, that faster comprehension rate, combined with having the computer quickly jumping the rig to the next frequency, means that I could get into a pretty snappy rhythm for much of the contest. That additional speed made for a pleasant rush during much of the contest.
Band conditions during the contest were interesting, with that interestingness aggravated by a coronal hole affecting the ionosphere for the last 6 hours or so of the contest. By band:
160 meters: I have trouble getting outside the eastern US on 160 with my current antenna farm. That’s not useful during a contest where US stations are only allowed to work DX. I kept an eye on 160 to see when the one Bermuda station I knew was active went there, grabbed the multiplier, and didn’t otherwise waste time on the band. I understand from commentary on the 3830 reflector that 160 was nasty even without antenna issues.
80 meters: when conditions are good, 80 is a great band for me. Well Friday night, 80 was very noisy locally. Stations were workable, but it wasn’t a cakewalk. Saturday night, conditions were much, much better. My DXCC count on 80 is now quite a bit higher than it previously had been. One of the highlights involved working a handful of Hawaiian stations right at their sunset Saturday.
40 meters: not normally a good band for me, thanks to a high noise floor and a couple of inconveniently-oriented nulls. Despite that, conditions were good Friday evening (I had no trouble working my first Asian station on 40). Saturday was disappointing. And Sunday, I “should” have spent the last couple of hours on 40, but conditions were just downright nasty.
15 & 20 meters: both bands were generally good for me during daylight hours, despite quite a bit of auroral flutter. I’ve written previously about how difficult it is for me to hear or be heard in Japan; well, probably the most incredible moment for me in the contest was on Sunday, about an hour before local sunset, when 15 meters filled up with loud, clear, workable Japanese signals. Heck, I even worked a couple of QRP JA’s without needing repeats on either side.
10 meters: I never saw an opening to Europe. I would just pop up here in between band-changes between 15 and 20, to see if the band had opened, and to pick up stray Caribbean and South American stations.
So, the end result:
Band QSOs Pts Cty
1.8 1 3 1
3.5 110 330 44
7 142 426 52
14 341 1023 81
21 222 666 82
28 46 138 28
Total 862 2586 288
Score: 744,768
All told, I worked 97 DXCC entities in the contest, including four new ones (ITU HQ, Tunisia, Oman, and St. Vincent), spanning all 7 continents.
That was fun.

